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And it features some of the strongest work of his career, official or otherwise. Still, it’s not hard to imagine a finished version of Act II with no real misses. It’s easy to see why he wouldn’t want songs like “Rough Love” and “Night of the Roundtable” to see the light of day in their current form, they blunt the impact of the album’s climax somewhat. Though the album is clearly unfinished, many of its songs sound complete, and it only peters out in the final quarter with rough-hewn demo-quality beats and reference vocals. “This is the Turn/they ain’t ready for the Prestige yet” he raps, laying out his intent for what follows.
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The Pledge, in which the illusionist displays something ordinary the Turn, in which they do something amazing with that ordinary object and the Prestige, in which they deliver the seemingly impossible. A magic trick-as Michael Caine so helpfully explains in the 2006 film The Prestige-consists of three parts. Act II opens with “Real Magic,” a sparse production featuring a plaintive piano melody and bass line that offers a glimpse into the structure of his intended trilogy. The track list arrives almost exactly the same as it was announced in 2012, with the sole exception being the Charlotte Gainsbourg-featuring “Dinner at Tiffany’s,” now spun off from the original “Shiny Suit Theory.” It very much feels like the sequel to his 2007 breakthrough Act I: Eternal Sunshine (The Pledge), a 15-minute suite that abandoned conventional form and structure, built atop Jon Brion’s score for the film Eternal Sunshine of the Spotless Mind. Whatever the reason, within days of the leak, the samples had been cleared and the album officially released, with Jay expressing gratitude for the immediate response. Perhaps he’s matured perhaps the weight of expectation no longer burdens him, having shed the albatross he’s worn in public for the past 10 years. He admitted to attempting to block its release, but in the wake of March’s A Written Testimony, the critically acclaimed LP that served as his “official” debut, he seems somewhat at peace with its release to the public, even in its unfinished form. Almost 11 years after its originally announced release date, it leaked online late last week after an unnamed group allegedly raised about $9,000 to purchase it from hackers. Now that Act II is here, the answers to those questions have come into sharper focus. Fans and critics alike struggled to understand why someone with his considerable gifts would resist the industry’s beaten path to stardom, why a rapper with a critical mass of accumulated hype would decamp to London and hole up with an heiress, his magnum opus languishing on a hard drive, collecting dust. The Roc Nation recording artist, who is currently putting the finishing touches on his major label debut, has more than just a lot of family, he’s got a lot of fans! That’s why we here at VIBE Pop Culture got his back like the Verizon man.In reality, the only thing mysterious about Jay Electronica was why, having been anointed as rap’s second coming in the wake of “Exhibit C,” he would sit on what was by all accounts the next hip-hop classic. and Diddy wondering what’s taking him so long. With the game eager to thank him for being so fly on the M-I-C, the young New Orleans tycoon has delivered his brand of braggadocios to the masses with an effortless cool that makes heads do a double take.Ĭonsistently spitting hocus-pocus since What The Fvck Is A Jay Electronica?!, Jay ElectRamadaan has more than just Nas, T.I. The talented titan better known by his stage name Jay Electronica is a force within the fixtures of rap who looks to show all the doubters the source of his power with Act II: Patents of Nobility (The Turn). There’s not too many emcees like Timothy Elpadaro Thedford on this Earth.